Even just the two apps most filmmakers will rely on, FCP and Compressor, would set you back $348 without the discount. Purchased separately, the Apple apps run up to $630. Filmmakers haven't taken to Logic and MainStage en masse, but having those apps along in the bundle is a nice bonus if you also happen to be a composer or musician. In a $199 bundle for students and educators, the platform is an even better deal, especially with the inclusion of Compressor. There is no guarantee that the no-fee upgrade policy will continue (unlike a software like Resolve, where a dongle purchase comes with upgrades guaranteed), but so far it's held up and proven to be a great investment for its users. As a bonus, there has been no upgrade price since it came out in 2011 if you paid $299 for it the month it came out, your license is still good six years later for the most current version, which works out to only $50/year, or around $4.50/month. But for shorter, simpler videos, I could probably just use an iPad.Final Cut Pro X has always had a great price, at just $299 for the powerful software. Of course, the experience is still better on the Mac version right now, so I'll still stick with the Mac version for more complicated jobs. Now that Final Cut Pro is available on iPad, and it actually works quite well, it will definitely inspire me to try producing more videos on an iPad. I can type words, answer emails, and edit photos well enough on an iPad Pro, so the only thing that requires a Mac is video editing, which I do on Final Cut Pro. And even when I'm not traveling, I don't enjoy working at home staring at the same four walls I usually start my day by taking a laptop and doing work at various coffee shops around town.īecause of my nomadic lifestyle, I am always looking for the lightest work setup possible, and I've experimented with doing work entirely off an iPad. Between frequent work trips and personal trips, I am on the road at least 3–4 months of the year. I feel like we are not too far off from most people possibly getting away with just an iPad and not an actual laptop.Īlthough the term makes me cringe, I fit the definition of a "digital nomad" to a tee. WWDC is just a couple of weeks away, and there's that rumored 16-inch iPad Pro on the horizon. But perhaps the next version of iPadOS or the next iPad Pro will fix a lot of these issues. After I rendered a video, it took me two minutes of digging around before I found the file. The filing system in iOS/iPadOS is also still a bit complicated. This could be annoying for those with lower storage variants of iPads since video files could quickly fill up storage. You must port the media files over to the iPad to make edits. You also can't edit directly off an SSD right now. The process to add the LUT is also more convoluted on the iPad software, although that can hopefully change in the future. On the Mac version of Final Cut, you can adjust the strength of the LUT. You can either have the LUT on 100% or completely off that's it. Those who color grade their videos might also be annoyed with how Final Cut Pro for iPad handles a custom Lookup Table (LUT), which is used for color mapping. For comparison, I was editing much shorter, far less complicated videos on a Google Pixel 7 Pro using PowerDirector last week and faced constant lag when scrubbing through the timeline. For a fanless machine that's highly portable and relatively thin, that's absolutely uncanny. Just for reference, I rendered about a half dozen videos during my time testing, and for a 4K video, the rendering speeds are a bit above twice as fast as real-time, so a five-minute clip would render in a little over two minutes. In fact, I have heard peers say their M1 iPad Pro renders faster than M1 MacBook Pro, though I can't vouch for that myself. I could scrub through the timeline easily, even when I put 8K video tracks in the timeline, I could start or pause playback without lag, and rendering speeds were really fast, almost as fast as with my top-tier M2 Mac MacBook Pro. I'm using a two-year-old M1 iPad Pro, and it handled any video clip I threw at it without hiccups.
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